Bio Part 3

So, the singer constantly demonstrates tremendous intuition concerning style; it is possible to tell, that true stylistic execution is one of strengths of Saro as a singer. It is possible to explain that for him the maintenance of a song is very important. Therefore Saro also does not sing in one manner because he names the songs "histories", and unless there can be histories identical? Moreover, he also composes these histories, i.e. texts of songs, putting soul in them and living them in music. Each time it is the song-theatre, a song-stage, a song-situation, a song-plot. If to listen to all songs together, the impression of the certain dramatic performance or show is made. And it is not surprising, that there were produced the video clips of Saro's songs. It would be good that Saro's songs would find an embodiment not only in video clips, but also in stage performance. Saro's songs are more than simple songs. On the behalf of passion manner of interpretation some of his "histories" can even associate with Portuguese fado. Owing to the special manner of performance the singer forces the listener "to see" the certain vital situations, plots, even were filmed. We see in it the greatest value of Saro as a singer and its songs. He involves with the original manner, artistry, experienced feeling. Therefore his public is very different, and his audience is wide - from glamour representatives of a top-class, up to vigorous youth.